安东尼·葛姆雷（Antony Gormley, b. 1950）是20世纪晚期至今最具影响力的英国当代雕塑家之一。在后极简主义与观念艺术盛行的语境下，他开创性地将具象人体重新引入雕塑领域，彻底剥离了传统雕塑的叙事性与纪念碑肖像功能。葛姆雷将肉身确立为一种“现象学测量仪器”与“意识容器”，常以自身形体为原始索引，通过铸铁、铅、工业构件与建筑级网格，将内部主观存在经验转化为客观的物理几何空间。 作为1994年特纳奖得主、2013年日本世界文化奖得主及英国爵士（2014），葛姆雷开创了场域特定雕塑（Site-Specific Sculpture）的新范式。代表作《北方天使》（1998）、《别处》（1997）与《视界》（2007）将作品从白立方（White Cube）展厅解放至大地、海岸与都市天际线，重构了雕塑、公共场域与集体空间察觉的交互机制。 Antony Gormley (b. 1950) is a pivotal figure in contemporary British sculpture. Emerging in the wake of Post-Minimalism and Conceptual Art, he pioneered a critical return to the human body, stripping it of classical narrative and figurative monumentality. Gormley reframes the human form as an indexical instrument of phenomenological measurement and a vessel for consciousness. Utilizing his own body as a primary matrix, he translates internal subjective experience into objective, physical-spatial geometries via cast iron, lead, industrial blocks, and architectural grids. Honored with the Turner Prize (1994), Praemium Imperiale (2013), and a British Knighthood (2014), Gormley radically redefined site-specific sculpture. Landmark works—Angel of the North (1998), Another Place (1997), and Event Horizon (2007)—liberated sculpture from white-cube enclosures, embedding it into raw landscapes and urban skylines as a social catalyst for spatial awareness.